I’ve known about John Batdorf for a long long time but because of my personal musical biases I never really took the time to listen closely. I recently was reminded of his name and his music from listening to Mike Marrone’s show on The Loft on XM Satellite Radio as I drove to work early in the morning. Still it was not enough to get me to move in the direction of purchasing some music by John Batdorf or go back and listen to the early Batdorf and Rodney or even John’s band Silver. I grew up in the 1970’s listening to Zeppelin, Springsteen, Pink Floyd, AC/DC – bands like Seals & Crofts, Bread, America, and the like were not my style and as I grew older and even started (ironically) to play my own music in a style akin to those bands I still harbored a bias. But thank you lord that I have come across John Batdorf’s latest CD “Old Man Dreamin’” because it is amazing. The album is one of the few recent albums that I have enjoyed from track 1 to track 11. The playing is superb, the production is excellent and the songwriting displays a craftsmanship that is worthy of study. We had a great conversation about the present and the past – check it out and please leave a comment and visit John’s site to get the CD!

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I’ve been itching to get a producer on the show for a while and I’ve finally tricked one into coming on, well not really, I just asked nicely. Cameron Mizell is actually a friend of Carla Lynne Hall’s (see episode 20) who I recently interviewed. Carla told me what great work Cameron does with his own music and then she also told me that he works with other indie artists as a producer. I checked out his website (www.cameronmizell.com) and also his blog (www.musicianwages.com) and was blown away by his guitar chops and the variety of music that he had his fingers in. Take a listen to this interesting conversation about what a producer does and how they help an artist approach their own music. You’ll be hearing music not only from Cameron, but Lauren Zettler and Erika Lloyd as well. Please leave a comment and visit the artists websites and buy their music!

~ Darryl

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I have had two successive discussions about doing cover songs recently. The first was with my songwriter’s circle and the second was with myself as I listened to Roseanne Cash talk about her new CD “The List” on NPR’s Fresh Air. Each time I have been confronted with how difficult it is to do a cover song right. There are a lot of bands/performers that cover a song just to have it in their songbook as filler for their second set and then there are artists that cover songs because they want to perform a great song.

The discussion I had with my Songwriter’s Circle was centered around how we can take a cover and transform it. The song that we were tossing about was AC/DC’s “You Shook Me All Night Long”. That hard rockin’ song is difficult to do on acoustic guitar and have it sound like AC/DC. Well then, that’s the point: don’t allow it to sound like AC/DC. So we played it slower and with a bluegrass edge to it and man did it sound great! All of a sudden I started to really hear the lyrics and feel the intent of the song.

The discussion I had with myself as I listened to Roseanne Cash involved honesty and soul. If you’re going to sing classic country songs that everyone knows, then you had better understand your reason for singing it. How are you, the singer, going to make an audience hear this song differently from the way we are used to hearing it? Do you really understand the lyrics and can you convey the meaning to an audience that may understand them a totally different way.

I have a few covers in my working songbook that I take out every once in a while. The latest song I’ve added is “One” by U2 and I am struggling with it. First of all how do I make it mine? How do I change it up with out ruining a beautiful melody and lyric? And how do I make it travel from the first line to the last line like Bono does? And – how do I create atmosphere with my acoustic guitar the way The Edge does with his electric and a lot of delay?

In my head I had a picture of Tom Waits doing this song. What would he do? Slow it down? Be more accusatory in his tone? Speak some of the lines? I tried to approach it from this angle. I also have a lower voice than Bono does so I couldn’t do the vocal calisthenics that he does and that gave me another indication that I should think of Waits.

The more times I sung the lyrics the more I felt the real anger that was hidden between the lines. Even though Bono sings this in a ballad style, I felt that there needed to be some punch to a few of the lines so that the person being sung to (and about) really gets hit in the face with the words.

I’m still working on this One, but check out the video of me and let me know what you think. I take the covers I do very seriously and I try to find a balance between original interpretation and keeping true to the writer’s intent.

Peace

~Darryl

(You can check out the video to this cover at The Weekly Drip – my creativity blog)

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I found Matthew Moran on Twitter. I’m not quite sure I remember exactly where and how, but I followed his links out of Twitter and on to his website where I was taken with his approach to songwriting and to his music as a business. The more I look at musicians and songwriters in these ever evolving days of the internet download the more I see a business store front. I also see a person that can diversify and Matt is that: diversification. We had a wonderful conversation about songwriting, the music business and how technology can help the business model of the modern musician. Please leave a comment, visit Matthew’s site and support his music.

~ Darryl

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Welcome to episode 20 of Unsigned Underground. This time around we’ll be talking to Carla Lynne Hall a singer songwriter who lives in New York City – but she’s more than that. I met Carla at a workshop she gave entitled Twitter for Musicians where she showed the best way for musicians to use the new social media. So I know her first as a media expert and an entrepreneur. But again she’s more than that – Carla has a book “The DIY Guide to the Music Biz” Carla has a blog “”Rock Star LifeLessons.com” Carla is a syndicated columnist oh yeah and Carla can sing. Listen into our conversation and please leave a comment!

Enjoy

~Darryl


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~ faking them out with fake sounds

There was a time when I referred to myself as a drum purist. I hated the sound of processed drums and electronic drums and I especially harbored great disdain for the “Drum Loop”. I could smell them a mile away when I heard songs on the radio and I looked down my nose thinking that the engineer/producer either didn’t have the time or talent to add a live/real drum track to the song. Well I’ve changed my tune recently and I’ll tell you why. Continue reading »

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coco_lafe

Welcome to episode 19 of Unsigned Underground. I’m very pleased to be back at it and producing this podcast. I had to take sometime off to re-evaluate what I really wanted to promote with this show and I came the conclusion that I wanted to interact more with the artists I presented on the show – so I decided that I would focus mainly on interviews and not do a radio style show. There are a lot of great indie-artists out there that need to have their music exposed, but to just roll out the tune in a radio show doesn’t seem to really be the best thing.  I tune in to shows like Fresh Air and New Sounds on NPR/WNYC because I want to hear the story behind the story: why did that sing get written? what are you doing to promote yourself in this DIY  wild-west and get recognized? And of course it still comes down to the Music.

So for my relaunching episode I’m going to be talking to Coco and Lafe – two very interesting people who have taken their music and put it to the forefront of their lives. They describe themselves as a couple of “empty-nester baby-boomer back-porch songwriters turned street performers turned full-time touring musicians”. The spin that they’ve put on their music business is to tour Farmer’s Markets and then to solicit house concerts from the audience when they come up to buy a CD or sign the list. They are a throw-back to the ancient minstrels who traveled from town festival to town market playing for tips. But in these days of declining record sales and questionable recording contracts, this type of tour and self-promotion seems like genius.

Take a listen and leave a comment -

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Music Waiting To Be Heard!

~ Darryl


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